{"id":3662,"date":"2011-01-07T10:00:02","date_gmt":"2011-01-07T09:00:02","guid":{"rendered":"http:\/\/blog.zeit.de\/filter\/?p=3662"},"modified":"2011-01-07T10:31:00","modified_gmt":"2011-01-07T09:31:00","slug":"musik-wie-von-geisterhand","status":"publish","type":"post","link":"https:\/\/blog.zeit.de\/filter\/2011\/01\/07\/musik-wie-von-geisterhand\/","title":{"rendered":"Musik von Geisterhand"},"content":{"rendered":"

\"\"
\u00a9 VW\/Soundfair<\/figcaption><\/figure><\/p>\n

SOUNDFAIR<\/a> und die Galerie VeneKlasen\/Werner<\/a><\/strong> pr\u00e4sentieren Annika Eriksson. <\/strong><\/p>\n

Die schwedische K\u00fcnstlerin \u00fcbernimmt den dritten Satz der Klangperformance-Reihe\u00a0Symphony<\/em>. Musiker, Komponisten und bildende K\u00fcnstler entwickeln hierf\u00fcr Arbeiten, die zwischen Konzert- und Ausstellungssituationen vermitteln.<\/p>\n

In Erikssons Arbeiten geht es um soziale Interaktion im Alltag. F\u00fcr Symphony<\/em> hat die K\u00fcnstlerin\u00a0The plan was sound; its execution faulty<\/a><\/em> entwickelt. Das Werk verweist auf das Verblassen historischer Ereignisse und gescheiterter Utopien.<\/p>\n

In einem verdunkelten Raum erklingt das Solidarit\u00e4tslied<\/em> (1929) von Hanns Eisler und Bertolt Brecht.\u00a0Gespielt auf einem elektroakustischen Theremin<\/a>, das keiner direkten Ber\u00fchrung bedarf, klingt die Arbeiterhymne seltsam entr\u00fcckt\u2026<\/p>\n

Besser geht es nicht: Spannende K\u00fcnstler zeigen intelligente Performances. Unbedingt hingehen!<\/p>\n

19-21 Uhr | 07. Januar 2011<\/strong> | VeneKlasen\/Werner <\/a>| Rudi-Dutschke-Strasse 26 | Berlin Mitte<\/p>\n","protected":false},"excerpt":{"rendered":"

SOUNDFAIR und die Galerie VeneKlasen\/Werner pr\u00e4sentieren Annika Eriksson. Die schwedische K\u00fcnstlerin \u00fcbernimmt den dritten Satz der Klangperformance-Reihe\u00a0Symphony. Musiker, Komponisten und bildende K\u00fcnstler entwickeln hierf\u00fcr Arbeiten, die zwischen Konzert- und Ausstellungssituationen vermitteln. In Erikssons Arbeiten geht es um soziale Interaktion im Alltag. F\u00fcr Symphony hat die K\u00fcnstlerin\u00a0The plan was sound; its execution faulty entwickelt. Das Werk […]<\/p>\n","protected":false},"author":306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8163,8185],"tags":[],"class_list":["post-3662","post","type-post","status-publish","format-standard","hentry","category-berlin-mitte","category-performance"],"yoast_head":"\nMusik von Geisterhand - Filter<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.zeit.de\/filter\/2011\/01\/07\/musik-wie-von-geisterhand\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musik von Geisterhand - Filter\" \/>\n<meta property=\"og:description\" content=\"SOUNDFAIR und die Galerie VeneKlasen\/Werner pr\u00e4sentieren Annika Eriksson. Die schwedische K\u00fcnstlerin \u00fcbernimmt den dritten Satz der Klangperformance-Reihe\u00a0Symphony. Musiker, Komponisten und bildende K\u00fcnstler entwickeln hierf\u00fcr Arbeiten, die zwischen Konzert- und Ausstellungssituationen vermitteln. In Erikssons Arbeiten geht es um soziale Interaktion im Alltag. F\u00fcr Symphony hat die K\u00fcnstlerin\u00a0The plan was sound; its execution faulty entwickelt. 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