{"id":3888,"date":"2011-01-14T10:01:22","date_gmt":"2011-01-14T09:01:22","guid":{"rendered":"http:\/\/blog.zeit.de\/filter\/?p=3888"},"modified":"2011-01-14T13:21:27","modified_gmt":"2011-01-14T12:21:27","slug":"auf-den-spuren-einer-utopie","status":"publish","type":"post","link":"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/","title":{"rendered":"Auf den Spuren einer Utopie"},"content":{"rendered":"

\"\"
\u00a9 KW<\/figcaption><\/figure><\/p>\n

Der Film <\/strong>A Virus in the City<\/strong><\/a> <\/strong><\/em>dokumentiert<\/strong> <\/strong><\/em>das Cellule-Projekt des israelischen K\u00fcnstlers Absalon.<\/strong><\/p>\n

Die Dokumentation liefert den Kontext zu den Cellules<\/em>, die die Kunst-Werke<\/a> derzeit in der Absalon<\/a><\/em> Ausstellung<\/a> zeigen. Was aussieht wie ein Hybrid aus Skulptur und Architektur war als Behausung gedacht. Absalon hatte die Cellules<\/em> jeweils seinen K\u00f6rperma\u00dfen und Bed\u00fcrfnissen angepasst.\u00a0Der K\u00fcnstler wollte die geometrisch strukturierten,\u00a0minimalistischen Wohneinheiten in sechs Metropolen aufstellen, um so „das Soziale zu leben“.<\/p>\n

A Virus in the City<\/em> (2008) ist der erste Film von C\u00e9dric Venail. Der Dokumentarfilm geht aus von einem Vortrag \u00fcber die Cellules<\/em> hervor, den Absalon kurz vor seinem fr\u00fchen Tod hielt. Venail sucht darin die Bestimmungsorte der Cellules<\/em> in Paris, Z\u00fcrich, New York, Tel Aviv, Frankfurt und Tokio auf.<\/p>\n

An die Filmvorf\u00fchrung schlie\u00dft ein Gespr\u00e4ch des Regisseurs mit Andreas Lewin vom Festival\u00a0DOKU.ARTS<\/a>.<\/p>\n

21 Uhr | 15. Januar 2011<\/strong> | Zeughauskino<\/a> | Deutsches Historisches Museum | Unter den Linden 2 | Berlin Mitte<\/p>\n","protected":false},"excerpt":{"rendered":"

Der Film A Virus in the City dokumentiert das Cellule-Projekt des israelischen K\u00fcnstlers Absalon. Die Dokumentation liefert den Kontext zu den Cellules, die die Kunst-Werke derzeit in der Absalon Ausstellung zeigen. Was aussieht wie ein Hybrid aus Skulptur und Architektur war als Behausung gedacht. Absalon hatte die Cellules jeweils seinen K\u00f6rperma\u00dfen und Bed\u00fcrfnissen angepasst.\u00a0Der K\u00fcnstler […]<\/p>\n","protected":false},"author":306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8163,317],"tags":[],"class_list":["post-3888","post","type-post","status-publish","format-standard","hentry","category-berlin-mitte","category-film"],"yoast_head":"\nAuf den Spuren einer Utopie - Filter<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Auf den Spuren einer Utopie - Filter\" \/>\n<meta property=\"og:description\" content=\"Der Film A Virus in the City dokumentiert das Cellule-Projekt des israelischen K\u00fcnstlers Absalon. Die Dokumentation liefert den Kontext zu den Cellules, die die Kunst-Werke derzeit in der Absalon Ausstellung zeigen. Was aussieht wie ein Hybrid aus Skulptur und Architektur war als Behausung gedacht. Absalon hatte die Cellules jeweils seinen K\u00f6rperma\u00dfen und Bed\u00fcrfnissen angepasst.\u00a0Der K\u00fcnstler […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/\" \/>\n<meta property=\"og:site_name\" content=\"Filter\" \/>\n<meta property=\"article:published_time\" content=\"2011-01-14T09:01:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2011-01-14T12:21:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blog.zeit.de\/filter\/files\/2011\/01\/Absalon.jpg\" \/>\n<meta name=\"author\" content=\"Nele Heinevetter\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Geschrieben von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nele Heinevetter\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"1\u00a0Minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/\",\"url\":\"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/\",\"name\":\"Auf den Spuren einer Utopie - Filter\",\"isPartOf\":{\"@id\":\"https:\/\/blog.zeit.de\/filter\/#website\"},\"datePublished\":\"2011-01-14T09:01:22+00:00\",\"dateModified\":\"2011-01-14T12:21:27+00:00\",\"author\":{\"@id\":\"https:\/\/blog.zeit.de\/filter\/#\/schema\/person\/d7928a2c1d5a2125ff00961ba8a0316b\"},\"breadcrumb\":{\"@id\":\"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/blog.zeit.de\/filter\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Auf den Spuren einer Utopie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/blog.zeit.de\/filter\/#website\",\"url\":\"https:\/\/blog.zeit.de\/filter\/\",\"name\":\"Filter\",\"description\":\"Das Kunstblog\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/blog.zeit.de\/filter\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"de\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/blog.zeit.de\/filter\/#\/schema\/person\/d7928a2c1d5a2125ff00961ba8a0316b\",\"name\":\"Nele Heinevetter\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/blog.zeit.de\/filter\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/aa3bcb0644f77a94d940f671a5eb85819ec45ca2163a2626017a8ccf34686336?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/aa3bcb0644f77a94d940f671a5eb85819ec45ca2163a2626017a8ccf34686336?s=96&d=mm&r=g\",\"caption\":\"Nele Heinevetter\"},\"url\":\"https:\/\/blog.zeit.de\/filter\/author\/nele-heinevetter\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Auf den Spuren einer Utopie - Filter","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blog.zeit.de\/filter\/2011\/01\/14\/auf-den-spuren-einer-utopie\/","og_locale":"de_DE","og_type":"article","og_title":"Auf den Spuren einer Utopie - Filter","og_description":"Der Film A Virus in the City dokumentiert das Cellule-Projekt des israelischen K\u00fcnstlers Absalon. 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