{"id":4452,"date":"2011-02-03T09:58:43","date_gmt":"2011-02-03T08:58:43","guid":{"rendered":"http:\/\/blog.zeit.de\/filter\/?p=4452"},"modified":"2011-02-03T12:34:22","modified_gmt":"2011-02-03T11:34:22","slug":"zu-den-hintergrunden","status":"publish","type":"post","link":"https:\/\/blog.zeit.de\/filter\/2011\/02\/03\/zu-den-hintergrunden\/","title":{"rendered":"Zu den Hintergr\u00fcnden"},"content":{"rendered":"<p><strong>Am HAU rekapitulieren der Musiker <\/strong><a href=\"http:\/\/www.mortonsubotnick.com\/\"><strong>Morton Subotnick<\/strong><\/a><strong> und der K\u00fcnstler <\/strong><a href=\"http:\/\/www.kabircarter.com\/\" target=\"_blank\"><strong>Kabir Carter<\/strong><\/a><strong> die Anf\u00e4nge elektronischer Musik.<\/strong><\/p>\n<p>Bei den\u00a0<a href=\"http:\/\/www.hebbel-am-ufer.de\/de\/kuenstler\/kuenstler_20065.html?HAU=1\" target=\"_blank\">Vortr\u00e4gen der\u00a0Pioneers<\/a> geht es vor allem um das Live-Potential.\u00a0Mit<em> Tape Recorders, the Transistor and the Credit Card: a Personal History<\/em><em> <\/em>demonstriert Subotnick, wie sich die technologische Entwicklung in seinen Kompositionen niedergeschlagen hat.\u00a0In <em>Space and Body<\/em> demonstriert Carter mit H\u00f6rbeispielen aus den siebziger Jahren das gemeinsame Interesse von Kunst und Underground Dance an Wahrnehmung und R\u00e4umlichkeit. Klingt nach einer informativen Mittagspause, oder?<\/p>\n<p><strong>12 &amp; 14 Uhr | 03. Februar 201<\/strong>1 | <a href=\"http:\/\/www.hebbel-am-ufer.de\/\" target=\"_blank\">HAU 1<\/a> | Stresemannstra\u00dfe 29 | Berlin Kreuzberg<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Am HAU rekapitulieren der Musiker Morton Subotnick und der K\u00fcnstler Kabir Carter die Anf\u00e4nge elektronischer Musik. Bei den\u00a0Vortr\u00e4gen der\u00a0Pioneers geht es vor allem um das Live-Potential.\u00a0Mit Tape Recorders, the Transistor and the Credit Card: a Personal History demonstriert Subotnick, wie sich die technologische Entwicklung in seinen Kompositionen niedergeschlagen hat.\u00a0In Space and Body demonstriert Carter mit [&hellip;]<\/p>\n","protected":false},"author":306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8172,1393],"tags":[],"class_list":["post-4452","post","type-post","status-publish","format-standard","hentry","category-berlin-kreuzberg","category-vortrag"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Zu den Hintergr\u00fcnden - Filter<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.zeit.de\/filter\/2011\/02\/03\/zu-den-hintergrunden\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zu den Hintergr\u00fcnden - Filter\" \/>\n<meta property=\"og:description\" content=\"Am HAU rekapitulieren der Musiker Morton Subotnick und der K\u00fcnstler Kabir Carter die Anf\u00e4nge elektronischer Musik. 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