{"id":4767,"date":"2011-02-11T10:00:15","date_gmt":"2011-02-11T09:00:15","guid":{"rendered":"http:\/\/blog.zeit.de\/filter\/?p=4767"},"modified":"2011-02-11T14:23:39","modified_gmt":"2011-02-11T13:23:39","slug":"sam-lewitt","status":"publish","type":"post","link":"https:\/\/blog.zeit.de\/filter\/2011\/02\/11\/sam-lewitt\/","title":{"rendered":"Sam Lewitt in der Galerie Daniel Buchholz"},"content":{"rendered":"<p><figure id=\"attachment_4776\" aria-describedby=\"caption-attachment-4776\" style=\"width: 540px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4776\" title=\"Sam Lewitt, Paper Citizen 01-10, 2011 \u00a9 Courtesy Galerie Daniel Buchholz, K\u00f6ln\/Berlin\" src=\"https:\/\/blog.zeit.de\/filter\/files\/2011\/02\/paper.jpg\" alt=\"\" width=\"540\" height=\"304\" srcset=\"https:\/\/blog.zeit.de\/filter\/files\/2011\/02\/paper.jpg 540w, https:\/\/blog.zeit.de\/filter\/files\/2011\/02\/paper-300x168.jpg 300w\" sizes=\"auto, (max-width: 540px) 100vw, 540px\" \/><figcaption id=\"caption-attachment-4776\" class=\"wp-caption-text\">Sam Lewitt, Paper Citizen 01-10, 2011 \u00a9 Courtesy Galerie Daniel Buchholz, K\u00f6ln\/Berlin<\/figcaption><\/figure><\/p>\n<p><strong>Die Einzelausstellung <\/strong><em><a href=\"http:\/\/www.galeriebuchholz.de\/index.php?menu_id=upcoming\" target=\"_blank\"><span style=\"text-decoration: none;\"><strong>0110_Universal-City_1010<\/strong><\/span><\/a><strong> <span style=\"font-style: normal;\">fordert<\/span><\/strong><strong> <span style=\"font-style: normal;\">den Betrachter<\/span><\/strong><strong>. <\/strong><\/em><\/p>\n<p>Den jungen amerikanischen K\u00fcnstler Sam Lewitt besch\u00e4ftigen die Schnittstellen zwischen Technik und Sprache, Pr\u00e4sentationsmodi und Produktionslogiken. Die ausgestellten Prints basieren zum einen auf Bestandteilen zur Anordnung beweglicher Letter wie sie in Hochdruckvorlagen zum Einsatz kommen. Zum Anderen verarbeitet Lewitt in der New York Times abgedruckte Werbeanzeigen f\u00fcr Armbanduhren, die er seit 2006 sammelt.\u00a0Er digitalisiert die Informationen und \u00fcberf\u00fchrt die Daten in eine v\u00f6llig neue Systematik&#8230;<\/p>\n<p><strong>19 Uhr | 11. Februar 2011<\/strong> | <a href=\"http:\/\/www.galeriebuchholz.de\/\" target=\"_blank\">Galerie Daniel Buchholz<\/a> | Fasanenstra\u00dfe 30 | Berlin Charlottenburg<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Die Einzelausstellung 0110_Universal-City_1010 fordert den Betrachter. Den jungen amerikanischen K\u00fcnstler Sam Lewitt besch\u00e4ftigen die Schnittstellen zwischen Technik und Sprache, Pr\u00e4sentationsmodi und Produktionslogiken. Die ausgestellten Prints basieren zum einen auf Bestandteilen zur Anordnung beweglicher Letter wie sie in Hochdruckvorlagen zum Einsatz kommen. Zum Anderen verarbeitet Lewitt in der New York Times abgedruckte Werbeanzeigen f\u00fcr Armbanduhren, die [&hellip;]<\/p>\n","protected":false},"author":306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,8177],"tags":[],"class_list":["post-4767","post","type-post","status-publish","format-standard","hentry","category-ausstellung","category-berlin-charlottenburg"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sam Lewitt in der Galerie Daniel Buchholz - Filter<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.zeit.de\/filter\/2011\/02\/11\/sam-lewitt\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sam Lewitt in der Galerie Daniel Buchholz - Filter\" \/>\n<meta property=\"og:description\" content=\"Die Einzelausstellung 0110_Universal-City_1010 fordert den Betrachter. Den jungen amerikanischen K\u00fcnstler Sam Lewitt besch\u00e4ftigen die Schnittstellen zwischen Technik und Sprache, Pr\u00e4sentationsmodi und Produktionslogiken. Die ausgestellten Prints basieren zum einen auf Bestandteilen zur Anordnung beweglicher Letter wie sie in Hochdruckvorlagen zum Einsatz kommen. 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