{"id":6178,"date":"2011-03-28T10:00:30","date_gmt":"2011-03-28T08:00:30","guid":{"rendered":"http:\/\/blog.zeit.de\/filter\/?p=6178"},"modified":"2011-05-18T15:57:45","modified_gmt":"2011-05-18T13:57:45","slug":"the-recovery-of-discovery-cyprien-gaillard","status":"publish","type":"post","link":"https:\/\/blog.zeit.de\/filter\/2011\/03\/28\/the-recovery-of-discovery-cyprien-gaillard\/","title":{"rendered":"Am Fu\u00df der Bierpyramide"},"content":{"rendered":"

\"\"
Cyprien Gaillard, The Recovery of Discovery (Installationsansicht Kunst-Werke), 2011 \u00a9 NH\/Filter<\/figcaption><\/figure><\/p>\n

Unversch\u00e4mt oder grandios \u2013 Cyprien Gaillard spaltet mit The Recovery of Discovery<\/em><\/a><\/strong> <\/em><\/strong>die Geister.
\n<\/strong><\/p>\n

Selten standen so schnell derart viele Bilder von einer Er\u00f6ffnung auf Facebook. Aber es war auch die gesamte Berliner Kunst- und Hipsterszene in den Kunst-Werken<\/a>. Sie standen um oder sa\u00dfen auf 72.000 Flaschen Efes und bedienten sich aus den Kartons, die Gaillard zu einer Pyramide hatte stapeln lassen. Der K\u00fcnstler und seine Crew betrachteten das Geschehen vom Gipfel dieser Pyramide, w\u00e4hrend sich unten am Bierhaufen der Vernissagen-Plebs dr\u00e4ngte. Gemein hatten sie lediglich das Bier in der Hand und die Gewissheit, Teil einer Installation zu sein.<\/p>\n

Diese sorgte f\u00fcr hitzige Debatten: Die einen fanden die Arbeit zynisch, dreist und pr\u00e4tenti\u00f6s, die anderen direkt, intelligent und konsequent. Am Ende gab es zwar keinen Konsens dar\u00fcber, ob es Gaillard tats\u00e4chlich um eine kritische Auseinandersetzung mit der Dekonstruktion von Monumenten<\/a> geht oder einfach das Vorf\u00fchren der Berlin-Mitte-Kulturszene.<\/p>\n","protected":false},"excerpt":{"rendered":"

Unversch\u00e4mt oder grandios \u2013 Cyprien Gaillard spaltet mit The Recovery of Discovery die Geister. Selten standen so schnell derart viele Bilder von einer Er\u00f6ffnung auf Facebook. Aber es war auch die gesamte Berliner Kunst- und Hipsterszene in den Kunst-Werken. Sie standen um oder sa\u00dfen auf 72.000 Flaschen Efes und bedienten sich aus den Kartons, die […]<\/p>\n","protected":false},"author":306,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,8163],"tags":[],"class_list":["post-6178","post","type-post","status-publish","format-standard","hentry","category-ausstellung","category-berlin-mitte"],"yoast_head":"\nAm Fu\u00df der Bierpyramide - Filter<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blog.zeit.de\/filter\/2011\/03\/28\/the-recovery-of-discovery-cyprien-gaillard\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Am Fu\u00df der Bierpyramide - Filter\" \/>\n<meta property=\"og:description\" content=\"Unversch\u00e4mt oder grandios \u2013 Cyprien Gaillard spaltet mit The Recovery of Discovery die Geister. Selten standen so schnell derart viele Bilder von einer Er\u00f6ffnung auf Facebook. Aber es war auch die gesamte Berliner Kunst- und Hipsterszene in den Kunst-Werken. 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