{"version":"1.0","provider_name":"Tontr\u00e4ger","provider_url":"https:\/\/blog.zeit.de\/tontraeger","author_name":"Dieter Wiene","author_url":"https:\/\/blog.zeit.de\/tontraeger\/author\/dieter-wiene","title":"Tuff, Tuff, Tuff - Musikblog","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"acOGHN48ey\"><a href=\"https:\/\/blog.zeit.de\/tontraeger\/2007\/05\/07\/tuff-tuff-tuff_397\">Tuff, Tuff, Tuff<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blog.zeit.de\/tontraeger\/2007\/05\/07\/tuff-tuff-tuff_397\/embed#?secret=acOGHN48ey\" width=\"600\" height=\"338\" title=\"&#8222;Tuff, Tuff, Tuff&#8220; &#8212; Tontr\u00e4ger\" data-secret=\"acOGHN48ey\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Der Rhythmus ist stoisch, der Bass treibt eint\u00f6nig. Davor dr\u00f6hnen Keyboards, die Gitarrenlinien pulsieren. Electrelanes Spiel mit der Wiederholung wird nie langweilig. Die Repetition hat eine lange Geschichte in der Popmusik. Schon vor dem Minimalismus von Velvet Underground spielte der amerikanische Gitarrist Bo Diddley mechanische Rhythmen, gleichf\u00f6rmig und pr\u00e4zise wie der Takt einer Lokomotive. In [&hellip;]","thumbnail_url":"https:\/\/blog.zeit.de\/tontraeger\/files\/2007\/05\/electrelane-shouts200.jpg"}