{"version":"1.0","provider_name":"Tontr\u00e4ger","provider_url":"https:\/\/blog.zeit.de\/tontraeger","author_name":"Matthias Sch\u00f6neb\u00e4umer","author_url":"https:\/\/blog.zeit.de\/tontraeger\/author\/matthias-schoenebaeumer","title":"Der R\u00fcpel und die blasse Frau - Musikblog","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wDj6C26Dp6\"><a href=\"https:\/\/blog.zeit.de\/tontraeger\/2008\/05\/16\/der-rupel-und-die-blasse-frau_737\">Der R\u00fcpel und die blasse Frau<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blog.zeit.de\/tontraeger\/2008\/05\/16\/der-rupel-und-die-blasse-frau_737\/embed#?secret=wDj6C26Dp6\" width=\"600\" height=\"338\" title=\"&#8222;Der R\u00fcpel und die blasse Frau&#8220; &#8212; Tontr\u00e4ger\" data-secret=\"wDj6C26Dp6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Die Schauspielerin Scarlett Johansson m\u00f6chte Tom Waits\u2019 br\u00e4sigem Zirkusjazz einen Schuss Avantgarde injizieren \u2013 und scheitert. Jedem St\u00fcck auf \u201eAnywhere I Lay My Head\u201c h\u00f6rt man ihr Bem\u00fchen an, etwas Besonderes aufzunehmen. Man hatte es geahnt. Sp\u00e4testens seit dieser grandiosen Szene in Sofia Coppolas Film Lost In Translation. L\u00e4ssig schmachtet Scarlett Johansson da Brass In [&hellip;]","thumbnail_url":"https:\/\/blog.zeit.de\/tontraeger\/files\/2008\/05\/johansson-head200.jpg"}