{"version":"1.0","provider_name":"Tontr\u00e4ger","provider_url":"https:\/\/blog.zeit.de\/tontraeger","author_name":"Matthias Sch\u00f6neb\u00e4umer","author_url":"https:\/\/blog.zeit.de\/tontraeger\/author\/matthias-schoenebaeumer","title":"New Yorker Klangkaramel - Musikblog","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"oqdIkhdeZ1\"><a href=\"https:\/\/blog.zeit.de\/tontraeger\/2011\/09\/14\/salsoul-mixology_10415\">New Yorker Klangkaramel<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blog.zeit.de\/tontraeger\/2011\/09\/14\/salsoul-mixology_10415\/embed#?secret=oqdIkhdeZ1\" width=\"600\" height=\"338\" title=\"&#8222;New Yorker Klangkaramel&#8220; &#8212; Tontr\u00e4ger\" data-secret=\"oqdIkhdeZ1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"In den Siebzigern pr\u00e4gte die Plattenfirma Salsoul einen einzigartigen Disco-Sound. Ein neuer Sampler erinnert an den hei\u00dfen Groove aus dem Melting Pot. Als Disco Ende der siebziger Jahre in die kreative Sackgasse geriet, schrieb der Journalist Vince Aletti in seiner Kolumne Disco Files: &#8222;Ich w\u00fcrde nicht so weit gehen zu sagen, der Nervenkitzel ist verschwunden, [&hellip;]","thumbnail_url":"https:\/\/blog.zeit.de\/tontraeger\/files\/2011\/09\/salsoul-540x304.jpg"}