{"version":"1.0","provider_name":"Tontr\u00e4ger","provider_url":"https:\/\/blog.zeit.de\/tontraeger","author_name":"Thomas Winkler","author_url":"https:\/\/blog.zeit.de\/tontraeger\/author\/thomas-winkler","title":"Opium f\u00fcr die Bionade-Boheme - Musikblog","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jHsLWeJ7Hh\"><a href=\"https:\/\/blog.zeit.de\/tontraeger\/2011\/11\/11\/florence-and-the-machine_11038\">Opium f\u00fcr die Bionade-Boheme<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blog.zeit.de\/tontraeger\/2011\/11\/11\/florence-and-the-machine_11038\/embed#?secret=jHsLWeJ7Hh\" width=\"600\" height=\"338\" title=\"&#8222;Opium f\u00fcr die Bionade-Boheme&#8220; &#8212; Tontr\u00e4ger\" data-secret=\"jHsLWeJ7Hh\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Das zweite Album von Florence and The Machine ist wie gemacht f\u00fcr Gro\u00dfstadtmenschen, die Enya m\u00f6gen, obwohl sie Enya-H\u00f6rer verachten. &#8222;Ceremonials&#8220; l\u00e4sst die hippen Townhouses vibrieren. Man muss ja nicht gleich so weit gehen wie Alex Niven. Der Kolumnist des Guardian schrieb unl\u00e4ngst, Florence and The Machine seien schuld am Untergang des Abendlandes.","thumbnail_url":"https:\/\/blog.zeit.de\/tontraeger\/files\/2011\/11\/florence-welch-540x304.jpg"}