{"version":"1.0","provider_name":"Tontr\u00e4ger","provider_url":"https:\/\/blog.zeit.de\/tontraeger","author_name":"Volker Schmidt","author_url":"https:\/\/blog.zeit.de\/tontraeger\/author\/volker-schmidt","title":"Wie Dartmoors Waldst\u00fccke klingen - Musikblog","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FUndQcVy3Y\"><a href=\"https:\/\/blog.zeit.de\/tontraeger\/2012\/07\/27\/john-surman-saltash-bells_13574\">Wie Dartmoors Waldst\u00fccke klingen<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blog.zeit.de\/tontraeger\/2012\/07\/27\/john-surman-saltash-bells_13574\/embed#?secret=FUndQcVy3Y\" width=\"600\" height=\"338\" title=\"&#8222;Wie Dartmoors Waldst\u00fccke klingen&#8220; &#8212; Tontr\u00e4ger\" data-secret=\"FUndQcVy3Y\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","description":"Mit seinen Saxofonen und digitaler Hilfe schl\u00e4gt sich John Surman durch Englands Moore und Moose. Das Album &#8222;Saltash Bells&#8220; ist ein Schichtwerk aus Atem und Klang. Sonnenschimmer auf den sanften H\u00fcgeln S\u00fcdwestenglands. Nebel \u00fcber Dartmoor, der kargen Moorlandschaft, wo die Bestie der Baskervilles bellt. Sommerregen auf Tavistock, das freundliche Kleinst\u00e4dtchen, das sich &#8222;Tor zu Cornwall&#8220; [&hellip;]","thumbnail_url":"https:\/\/blog.zeit.de\/tontraeger\/files\/2012\/07\/surman-540x304.jpg"}